Spring 2012
I had never done subtractive charcoal pieces before but if I did, I pressume they'ld feel very similarly to subtractive oil painting. Mixing an achromatic black was a gratisfying experience in itself but when my professor, Richard Estrin, stressed the lack of need for siting and proportion, I was relieved and nervous. It was an interesting start into oils to say the least
Materials: Gessoed Bristol Board, Oil Paint
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