Spring 2012
Painting had continued to frustrate me into our adventure into the depth of color. The class worked through a limited pallet of first ultramarine, burnt sienna and white to now those same three oil pigments plus yellow ochre to achieve temperature and muted hue variation on top of our already comprehensive value experiences. Once Richard's lectures of relationships sunk in, I understood what painting was, not what you saw exactly, but portraying what you saw through ones art. I had done it in Katie Waugh's Reveal, 4D Design Project-Steven Carpenter, the Computer Animation Professor, continually said the same about animating and drawing was deffinitly not reality; then why should painting be either? Not to mention my brush work improved a great deal in this painting as well-
Materials: Gessoed Bristol Board, Utrecht Oil Paints
No comments:
Post a Comment